However, printing technology and musical transcription in the late 1980s were not perfect. Over the years, eagle-eyed bassists discovered minor errors in the notation of complex tracks like "What's Going On" or "Bernadette."
In the dim glow behind Motown’s studio glass he was always there: a lean silhouette bent over a Fender Precision, fingers moving faster than anybody could follow. Engineers called him “the feeling” in shorthand; singers thanked him in interviews with the sort of vague reverence reserved for saints. But to the city, to magazines, to the liner notes that slid into record sleeves, he was almost never the first name. He was a standing shadow. james jamerson standing shadows motown pdf 14 verified
If you are studying the book or digital versions, focus on these three pillars of his style: But to the city, to magazines, to the
Breakdown of Jamerson's chromatic runs, ghost notes, and open-string pivots. But to the city