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Using high-end professional digital film scanners, archivists scan each frame of the 35mm print at high resolutions (often 4K or 1080p). The goal of a preservation scan like this one is not to make the movie look like a modern digital film, but to accurately capture the organic texture of the original theatrical print, including its natural grain, contrast, and color timing. The Color Timing Controversy: Green vs. Blue

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The cinema tag could indicate that the audio was derived from a 35mm print’s optical or magnetic track (or an AC-3/DTS cinema processor capture), rather than a consumer re-equalized mix. Using high-end professional digital film scanners