The materials used in the addition are as unconventional as the floor plan. Gehry employed "mundane materials not traditionally used in high architecture, such as corrugated steel, plywood, and chain-link fencing—materials you might find at a construction site or at a hardware store". This "cheap tech" aesthetic stood in stark contrast to the traditional neighborhood. The chain-link fencing, in particular, was a novel choice; critic Paul Goldberger noted that Gehry's "goal was not to provoke irritation but recognition that chain link is a ubiquitous material". This radical material palette was integral to achieving the home's raw, unfinished look.
The traditional rooms of the 1920s house remained largely intact, acting as an inner sanctuary. gehry residence floor plan
The original ground floor rooms of the 1920s house were stripped down to their essential framing. The old living room and dining room were opened up to create a more fluid, continuous layout. The materials used in the addition are as
The plan includes a small mezzanine and a separate studio space that exploits the leftover gaps between old and new. The chain-link fencing, in particular, was a novel
The Gehry Residence is not a house; it is a piece of architecture arguing with itself. The floor plan is the transcript of that argument. It is loud, messy, brilliant, and permanently reshaped how we think about the space we live in.