: A prime example of the celebration and reverence for goddesses in Bengali culture is Durga Puja. This festival, dedicated to Goddess Durga, is a significant event in West Bengal and Bangladesh, showcasing the artistic and cultural expressions of the region.
The rapid diffusion of hybrid mythologies across digital platforms has given rise to novel cultural artefacts that blend traditional religious iconography, contemporary celebrity culture, and internet‑mediated storytelling. This paper investigates three seemingly disparate signifiers—, Yasmina Khan , and the Bengali goddess archetype—through the analytical lens of “02‑link” culture, a term we introduce to denote the second‑generation hyperlink practice that intertwines narrative, identity, and fandom on social media. By tracing the genealogies of each element, examining their convergences on platforms such as TikTok, YouTube, and fan‑fiction forums, and applying a mixed‑methods approach that combines textual analysis, network mapping, and semi‑structured interviews, we argue that these components together illustrate a broader process of digital syncretism in South Asian diaspora media. The findings illuminate how mythic tropes are re‑appropriated, how celebrity personas become vessels for cultural transmission, and how hyperlink practices function as contemporary rites of passage for participatory audiences.
In Bengali Hindu tradition, goddesses like Durga, Lakshmi, and Saraswati are celebrated for their unique qualities. Durga, for instance, is seen as a powerful protector who symbolizes the triumph of good over evil. Lakshmi, the goddess of wealth and prosperity, is another beloved figure, often depicted in art and literature as a symbol of good fortune.
: A prime example of the celebration and reverence for goddesses in Bengali culture is Durga Puja. This festival, dedicated to Goddess Durga, is a significant event in West Bengal and Bangladesh, showcasing the artistic and cultural expressions of the region.
The rapid diffusion of hybrid mythologies across digital platforms has given rise to novel cultural artefacts that blend traditional religious iconography, contemporary celebrity culture, and internet‑mediated storytelling. This paper investigates three seemingly disparate signifiers—, Yasmina Khan , and the Bengali goddess archetype—through the analytical lens of “02‑link” culture, a term we introduce to denote the second‑generation hyperlink practice that intertwines narrative, identity, and fandom on social media. By tracing the genealogies of each element, examining their convergences on platforms such as TikTok, YouTube, and fan‑fiction forums, and applying a mixed‑methods approach that combines textual analysis, network mapping, and semi‑structured interviews, we argue that these components together illustrate a broader process of digital syncretism in South Asian diaspora media. The findings illuminate how mythic tropes are re‑appropriated, how celebrity personas become vessels for cultural transmission, and how hyperlink practices function as contemporary rites of passage for participatory audiences. jaxslayher yasmina khan bengali goddess 02 link
In Bengali Hindu tradition, goddesses like Durga, Lakshmi, and Saraswati are celebrated for their unique qualities. Durga, for instance, is seen as a powerful protector who symbolizes the triumph of good over evil. Lakshmi, the goddess of wealth and prosperity, is another beloved figure, often depicted in art and literature as a symbol of good fortune. : A prime example of the celebration and