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Chaminda’s reaction is particularly revealing. He never asks his mother why she did it. He never considers the empty rice pot or the unpaid electricity bill. His shame is purely aesthetic: what will the neighbors say? What will his friends think? This prioritization of nam (honor/reputation) over guna (inner virtue/compassion) is the film’s central target. The true kilut , the film suggests, is not Kalyani’s arrangement but the community’s inability to see a human being behind a social role.